Open Access   Article Go Back

A Case Study on Neo-Wave Cinema Based on Feminism

Anthony Kimton Prabhu1

Section:Review Paper, Product Type: Journal Paper
Volume-6 , Issue-8 , Page no. 840-842, Aug-2018

CrossRef-DOI:   https://doi.org/10.26438/ijcse/v6i8.840842

Online published on Aug 31, 2018

Copyright © Anthony Kimton Prabhu . This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

View this paper at   Google Scholar | DPI Digital Library

How to Cite this Paper

  • IEEE Citation
  • MLA Citation
  • APA Citation
  • BibTex Citation
  • RIS Citation

IEEE Style Citation: Anthony Kimton Prabhu, “A Case Study on Neo-Wave Cinema Based on Feminism,” International Journal of Computer Sciences and Engineering, Vol.6, Issue.8, pp.840-842, 2018.

MLA Style Citation: Anthony Kimton Prabhu "A Case Study on Neo-Wave Cinema Based on Feminism." International Journal of Computer Sciences and Engineering 6.8 (2018): 840-842.

APA Style Citation: Anthony Kimton Prabhu, (2018). A Case Study on Neo-Wave Cinema Based on Feminism. International Journal of Computer Sciences and Engineering, 6(8), 840-842.

BibTex Style Citation:
@article{Prabhu_2018,
author = {Anthony Kimton Prabhu},
title = {A Case Study on Neo-Wave Cinema Based on Feminism},
journal = {International Journal of Computer Sciences and Engineering},
issue_date = {8 2018},
volume = {6},
Issue = {8},
month = {8},
year = {2018},
issn = {2347-2693},
pages = {840-842},
url = {https://www.ijcseonline.org/full_paper_view.php?paper_id=2781},
doi = {https://doi.org/10.26438/ijcse/v6i8.840842}
publisher = {IJCSE, Indore, INDIA},
}

RIS Style Citation:
TY - JOUR
DO = {https://doi.org/10.26438/ijcse/v6i8.840842}
UR - https://www.ijcseonline.org/full_paper_view.php?paper_id=2781
TI - A Case Study on Neo-Wave Cinema Based on Feminism
T2 - International Journal of Computer Sciences and Engineering
AU - Anthony Kimton Prabhu
PY - 2018
DA - 2018/08/31
PB - IJCSE, Indore, INDIA
SP - 840-842
IS - 8
VL - 6
SN - 2347-2693
ER -

VIEWS PDF XML
396 254 downloads 267 downloads
  
  
           

Abstract

The aim of the research paper is to study about the portrayal of women in cinema. Also, it aimed to analyse the changing mind set of the young budding directors from the cinema industry. The emerging directors of our current film industry are very well aware of the portrayal of women which makes them to form a well-scripted for their film story. In this research, these young directors of cinema industry with a feministic approach in their movies are interviewed and analysed for the research. The social issues faced by women in both psychological and physical aspect is been brought to limelight and bravely disclosed in their films. The main films which are been discussed for this research are IRAIVI, THARAMANI and ARUVI which is been released in the year of 2016, 2017 and 2018 consecutively. These directors are been categorised under neo wave film making directors of cinema industry where they portray a favourable opinion regarding the strong characterisation of women and their struggle against gender bias. Henceforth these types of films had created a reflection of rational thoughts among the viewers and audiences to understand the present scenario of social issues against women prevailing in the authoritarian society. This research tries to provide awareness for the future budding directors about the importance of social touch in a movie in connection with the entertainment in the whole form as infotainment.

Key-Words / Index Term

Neo-Wave Films, Feminist thoughts, Gender Bias, catharsis effect, Infotainment, Tamil film industry, Script

References

[1] Keval J. Kumar, “Mass Communication in India”, Jaico and publications, Revised edition 2, New Delhi 2010.
[2] Geoffrey nowell-smith,“The story of film”. pavilion new edition November 1, 2013.
[3] David Bordwell, Kristin Thompson, “Minding Movies Observations on the Art, Craft, and Business of Filmmaking”, häftad, 2011
[4] David Bordwell and Kristin Thompson, “Film Art : An Introduction”, New York: McGraw-Hill, 9th Edition 2010
[5] Giannetti, Louis D., “Understanding Movies, Upper Saddle River”, N.J.: Pearson/Prentice Hall, 11th Edition 2008.
[6] Joseph M. Boggs and Dennis W. Petrie, “The Art Of Watching Films”, New York: McGraw-Hill, 7th Edition 2008.
[7]Alexandra, “Film Studies: Women in Contemporary World Cinema”Framing Film), Peter Lang International Academic Publishers, 2002
[8]Lalitha Gopalan, “Cinema of Interruptions: Action Genres in contemporary Indian Cinema”, British Film Institute , 2002.
[9] Eve Light Honthaner,“The Complete Film Production Handbook (American Film Market Presents)”, 4th Edition, March 2014,
[10] McQueen, D. Television, “A Media Student’s Guide”. London: Arnold. 1998
[11] Arthur Asa Berger. “Media and Communication Research Methods: An Introduction to Qualitative and Quantitative Approaches”, Sage Publication, New Delhi, 2000.